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The author Karen Sullivan has many enlightening things to say in her book The Interrogation of Joan of Arc.

A passage in her chapter The Voices of God is very particular. She says…

Though it is a commonplace in scholarship to speak of Joan as having heard the voices of Saint Catherine, Saint Margaret, and Saint Michael, no witness who knew Joan prior to the trial and no chronicler who wrote without probable access to information from this trial did so.’

What does this mean?

Dunois remembers her talking of hearing a voice that said, ‘Daughter of God, go, go, go. I will be there to help you

Raoul de Gaucourt stated that she said, ‘(I)…am sent on the part of God.’

Jean, duke d’Alençon said that she spoke of being sent on the part of God.

To Seguin de Seguin who examined her at Poitiers, she talked of  ’a voice.’

To none of them did she absolutely identify the source of her mission as being from Saint Catherine, Saint Margaret and Saint Michael.

Saint Catherine of Alexandria

Saint Catherine of Alexandria


On 7th July 2009 a manuscript sold at Sotheby’s auction house for £1,161,250.

EBERHARD WINDECK, DAS BUCH VON KAISER SIGMUND, THE LIFE AND TIMES OF THE EMPEROR SIGISMUND, IN GERMAN, ILLUMINATED MANUSCRIPT ON PAPER

From the catalogue:

This is one of the great vernacular chronicles of the fifteenth century, and a major (and often unique) source for the life of Sigismund of Luxembourg (1368-1437), king of Hungary 1387-1437, king of Germany 1411-37, king of Bohemia 1419-37, king of Lombardy 1431-37, and Holy Roman Emperor 1433-37. It is both a swashbuckling and adventurous romance and an intimate and deeply well-informed account by a man who knew him well and was often present at the events he describes. Eberhard Windeck (c. 1380- c.1440) was a member of a successful merchant family of Mainz. He first met Sigismund in Prague in 1395. He travelled extensively throughout Europe, both for business and on diplomatic missions, living at various times in Paris, Vienna, Buda, Nuremberg, Venice, and other cities. His contacts and sources of information are formidable. He entered the service of Sigismund in 1414, and accompanied him to the Council of Constance and elsewhere. The Buch von Kaiser Sigmund is a celebration of the emperor’s close involvement in very many major events, including the resolution of the papal schism, the Hussite Wars (there is a fine illustrated account here of the burning of Jan Hus in 1415), and the story of Joan of Arc, including what are reputed to be the earliest known pictures of Joan of Arc, who was martyred in 1431 (fols. 144r-149v). The list of illustrations below gives a flavour of the range of Windeck’s interests. An unusual reference (which even Windeck would not have understood as important) is the listing of the name of one “Hennecken zu Guettenberg” among those cited in a document of arbitration by the archbishop of Mainz on 28 March 1430 (fol. 288v here, second column). ‘Hennecken’ is a diminutive of Johann. He is described as ‘absent from the city’. Is this Johann Gutenberg himself, citizen of Mainz, later the inventor of printing? Windeck can hardly fail to have known him. Gutenberg left Mainz probably in 1428, and is documented in Strassburg for ten years from 1434, involved in some way in the production of pilgrim mirrors, and he was back in Mainz by 1448, perhaps already working on the project which resulted in the Gutenberg Bible in the mid-1450s.

Of particular interest are Folios:

87r — the meeting of the duke of Burgundy and his knights, with a representative of the Orleans family and their armed forces (as the rubric explains this occurred when Burgundy offered their aid to the side of the French in the conflict with England, but it was refused by the Orleans, as Duke Louis of Orleans had been murdered at Agincourt in 1415 on the orders of Burgundy)

144r —  King Sigismund directing a kneeling messenger to give a sealed letter to “the Virgin who has performed many miracles” (Saint Joan of Arc, in a burgundy-red dress and with a white head-dress; note that this and the two following paintings are almost certainly the earliest representations of Joan of Arc)

146r — Joan of Arc (here “the maiden of Orleans”) directing the same messenger to return with a letter for King Sigismund (the letter, given in the text, is dated 22 March 1429)

149v — Joan of Arc riding at the head of a column of armed French knights, as the English forces withdraw before her casting down their bows and arrows.

Musicogenics

I have recently come across a medical phenomenon called Musicogenics

Medical Condition Explained: A subtype of epilepsy characterized by seizures that are consistently provoked by a certain specific stimulus. Auditory, visual, and somatosensory stimuli as well as the acts of writing, reading, eating, and decision making are examples of events or activities that may induce seizure activity in affected individuals. (From Neurol Clin 1994 Feb;12(1):57-8)’

When you plug Musicogenic and Joan of Arc into a search engine, an amazing amount of articles pop up.

There is a theory-and a recent one at that- that Jehanne suffered from the form of epilepsy known as Musicogenic.

‘Joan of Arc

Elizabeth Foote-Smith 2 Lydia Bayne*

 *Department of Neurology, University of California San Francisco, San Francisco, California, U.S.A.

Correspondence to   2 2635 Regent St., Berkeley, CA 94704, U.S.A.

Copyright 1991 International League Against Epilepsy

KEYWORDS

History of medicine • Epilepsy • Temporal lobe • Joan of Arc

ABSTRACT

Summary: For centuries, romantics have praised and historians and scientists debated the mystery of Joan of Arc’s exceptional achievements. How could an uneducated farmer’s daughter, raised in harsh isolation in a remote village in medieval France, have found the strength and resolution to alter the course of history? Hypotheses have ranged from miraculous intervention to creative psychopathy. We suggest, based on her own words and the contemporary descriptions of observers, that the source of her visions and convictions was in part ecstatic epileptic auras and that she joins the host of creative religious thinkers suspected or known to have epilepsy, from St. Paul and Mohammed to Dostoevsky, who have changed western civilization.’

A proven side-effect of this condition is ultra-religiosity. 

A persuasive theory. The sound of bells, the light, the voices, the fasting, the weeping fits, the ecstasy, the pre-cognition. 

I’m not entirely convinced. But then neither can I dismiss it. 

Worth thinking about? 

Most certainly. 

Joan of Arc
Elizabeth Foote-Smith 2 Lydia Bayne*
 *Department of Neurology, University of California San Francisco, San Francisco, California, U.S.A.
Correspondence to   2 2635 Regent St., Berkeley, CA 94704, U.S.A.
Copyright 1991 International League Against Epilepsy
KEYWORDS
History of medicine • Epilepsy • Temporal lobe • Joan of Arc
ABSTRACT
Summary: For centuries, romantics have praised and historians and scientists debated the mystery of Joan of Arc’s exceptional achievements. How could an uneducated farmer’s daughter, raised in harsh isolation in a remote village in medieval France, have found the strength and resolution to alter the course of history? Hypotheses have ranged from miraculous intervention to creative psychopathy. We suggest, based on her own words and the contemporary descriptions of observers, that the source of her visions and convictions was in part ecstatic epileptic auras and that she joins the host of creative religious thinkers suspected or known to have epilepsy, from St. Paul and Mohammed to Dostoevsky, who have changed western civilization.

I’m reading a truly fascinating book at the moment called The Daemon – A Guide to Your Extraordinary Secret Self by Anthony Peake and I was amazed to find therein a chapter on Jehanne. 

This made me sit up straight.

Peake identifies Jehanne’s voices with the Daemon– that superior, all-knowing part of us that we all possess. 

I need to know more about this before passing comment but it may interest you to know that Mr Peake has written a play about Jehanne.

There is more information about the play on his blog Cheating the Ferryman.

As well as writing non-fiction I have been asked to write a play about Joan of Arc. I am very aware that there have been many plays written on this subject, including the famous one by George Bernard Shaw. However my approach is going to be radically different (as usual!). I intend to focus in on the curious reports of her ‘Voices’. Joan insisted in her trial that she had been guided from the age of 13 by voices. These voices seemed to know a great about Joan, including her future. It has long been believed that these voices were reported by Joan as being those of St Michael, St Catherine of Alexandria and St Margaret of Antioch. However in 1996 historian Karen Sullivan reread the trial transcripts and all the historical material referring to Joan’s voices and comes to a startling conclusion: no saints were ever named prior to the trial! Sources outside the trial referring to these saints by name are all either anti-Joan and cite the trial, or they come at least 14 years after the trial when the notion of specific saints being the source of Joan’s voices has become commonplace mythology. Joan, apparently, never mentioned these saints by name to her closest relations, friends, or companions in arms who testified she heard the voice of God.’

As I said – fascinating. I did not know about Karen Sullivan’s work and will definitely be reading it too. 

The Mysteries deepen.

The novel In a Dark Wood Wandering by Hella S Haasse is a tour de force and recommended to any one interested in 15th century France generally and Charles d’Orléans specifically.

 

 

In a Dark Wood Wandering

In a Dark Wood Wandering

 

 

‘Set in France and England during the Middle Ages…It opens in Paris in 1394. Valentine, Duchess of Orléans, has just given birth to a son, Charles…As the course of Charles’ dramatic life unfolds we absorb the atmosphere and excitement of a whole society and meet an extraordinary range of characters, from the mad King Charles V and his icy Bavarian Queen to the bastard Dunois, a born soldier and the right arm of Joan of Arc…’

There is much more to this novel though. 

Hella Haase first started researching during the late 1930’s as her homeland, Holland, became embroiled in the Second World War. 

Het woud der verwachting – literally The Forest of Long Awaiting – was first published in 1947 to great success in Holland.

Then, in the 1953, a postal clerk and part-time translator called Lewis C Kaplan, found a publication in his office in Chicago with a review of Haase’s novel and immediately decided to translate the book into English.

He contacted the author and gained her permission. It took 5 years to complete the first draft, none of which was to Kaplan’s satisfaction. Then he suddenly fell ill and died. 

Kaplan’s widow packed and stored the unnamed manuscript that her husband had spent so many years translating.

Meanwhile, Hella Haase, wondering occasionally about the English translation of her work, hesitated to contact Kaplan and ask how far he had progressed. 

The manuscript lay hidden for twenty years.

Then, in the 1970’s, fire broke out in the Kaplan apartment in Chicago and during the clear up, Het woud der verwachting, sodden but not burned, was found. 

Neither Mrs Kaplan nor her son could remember the name of the original author but both were intrigued and spent many months investigating. Kalman Kaplan even set about finishing his father’s translation from Dutch to English and eventually tied the book to Hella Haasse and gained her permission to market it in 1982.

In 1989 , after 40 years of misadventure, Het woud der verwachting was published under the new title In a Dark Wood Wandering: A Novel of the Middle Ages.

A fitting history to a fascinating book.

Richard at Fleurs de Lys Too has posted the most amazing old Pathe films about various celebrations of Jehanne d’Arc. They are very moving and incredibly educational. 

 

Richard says…

‘Today I present some URls to British Pathe, the British newsreel company from early 1910 to the 1956 when news reels in general stopped. Pathé News, part of the Pathé motion picture company, is the oldest name in the motion picture industry today. The company was founded as Société Pathé Frères in France in 1895 by Charles Pathé, a dynamic personality who was directly responsible for the rapid growth of the young motion picture industry and the discovery of many of its major artists. In fact, employees of the early Pathé company in America composed a veritable Who’s Who in the motion picture industry.’

To see them is a delight.


There are a few mentions of the Duc, Charles d’ Orléans’ imprisonment at Bolingbroke castle in Enid McLeod’s great book Charles of  Orléans, Prince and Poet.

In talking of the year 1425…

‘During the four years while this state of suspense continued both in France and England, the only practical matters that Charles had with which to fill his thoughts in his virtually solitary confinement in Bolingbroke were the everlasting financial affairs of his brother (Jean), for the money for whose release he was still being pressed.’

The book of my Lord’s Ballades…

‘But much more evocative still is the mention of a manuscript desrcribed as “The book of my Lord’s Ballades, with his arms on the clasp” and which contained all those (poems) that he wrote in captivity.

This particular manuscript has not yet been identified with certainty, but from several contemporary copies its contents are known. Although except in one or two instances, the poems are not dated, their subject matter reveals to a great extent the periods of Charles’ imprisonment to which they belong.

And from what we know of the different circumstances of it, it would appear that he wrote a number during the six years or more that he spent at Bolingbroke, when he had so few outside distractions and had to rely not only on his love of reading and meditating, but on that greatest of all his resources, his gift of poetry, to feed not only his mind and spirit, but his heart too.’

On Most Christian, Noble Kingdom of France…

It seems probable that, situated as he then was, Charles wrote this poem more to relieve his own pent up feeling of regret and sorrow for the past, and to comfort himself with hopes of the future, than with any idea that it could serve some purpose at the time when he wrote it. But curiously enough, while he was still at Bolingbroke, this unspoken rallying call of his to his own country to find again her ancient virtue was, as it were, echoed in France itself by another voice, a wholly unexpected one, the voice of a young peasant girl, Joan of Arc.

Stranger still, it was in large part the thought of him, held captive in England while his enemies were ravaging his lands that he was powerless to defend himself, that impelled her to undertake her hazardous mission.’

Charles_d_Orleans1

Most Christian, Noble Kingdom of France ~ Charles d’ Orléans

Praying to God that before I reach old age

A time of peace may everywhere arrive

As I long for with all my heart

And that I should see all your ills soon end

Most Christian, Noble Kingdom of France

How the castle may have looked in the thirteenth century

Image of how the castle may have looked in the thirteenth century

 

Bolingbroke means “the home by the brook of Bulla’s people” and is a fifth or six century Saxon name, referring to the stream that still runs through the village of old Bolingbroke today. Before this, in Roman times, marshland and inlets from the sea may have reached right up to the foot of the wolds here so it is possible that there was a very early settlement thereabouts, next to a convenient access point from the sea to the dry uplands. Saxon earthworks rise above the village and a C12th settlement, possibly a Norman motte and bailey castle, was built on Dewy Hill, which overlooks the present castle. The village was mentioned in the Domesday Book as having a church, three mills, 70 acres of meadows, a market and annual fair, but it is with the building of the medieval castle that the village’s prosperity really took off.

 

This cut away reconstruction drawing shows how the Kitchen Tower and the other towers functioned.

This cut away reconstruction drawing shows how the kitchen tower and the other towers functioned.

 

Bolingbroke Castle was constructed around 1220-30, the earliest written references to it being in 1232 and 1243. It was built by Randulph de Blundeville, Earl of Chester (and Earl of Lincoln from 1217) on the flat land surrounded by hills on three sides. This indicates that defense was only part of the purpose of the castle, since siege engines could at a pinch bombard the walls from these hill sides. It was however, a strong place, with a deep moat around 100 feet across enclosing a walled area 250 feet in diameter. The curtain wall was 12 feet thick and further defended by five towers and a gate house. There was no keep, in common with Beeston Castle, also built by the Earl at roughly the same time. He also built Chartley Castle. Probably lime washed like other castles of the era, Bolingbroke would have looked magnificent in its heyday.

Excavations have found a lifting mechanism for a bridge over the moat into the gate house, and there was a postern gate (effectively, the back door) in the Auditor’s Tower. Outside the castle, there was an outer bailey or “rout yard”, used for corralling beasts and grazing. The yard is still surrounded by a low bank and narrow ditch beyond on two sides. Features resembling fish ponds are also present and if so, these would have provided the inhabitants of the castle with fresh food. The large earthwork  in the centre of the rout yard is however almost certainly post-medieval, and probably a fort built to defend the castle during the siege of 1643 (see below). Outside the castle was the town. This eventually became one of the chief market towns in the county. The annual fair was held on St. Peter’s Day, with a weekly fair on Tuesday.

 

This was how the castle may have looked in the fifteenth century, with the Great Hall to the left and the kitchens to the right.

This was how the castle may have looked in the fifteenth century, with the great hall to the left and the kitchens to the right.

 

On Randulph’s death the castle passed to his niece’s husband, John de Lacy, who later also became Earl of Lincoln. On his death the castle became the property of  his daughter Alice and her husband, Earl Thomas of Lancaster. He was executed in 1322 and once Alice died in 1348, there was no immediate heir so Bolingbroke became the property of her first husband’s brother Henry. 

Earl Henry’s daughter Blanche married the famous John of Gaunt in 1359, who thus joined the Lancastrian family, becoming 1st Duke of Lancaster. He and Blanche lived at the castle in the 1360s and 70s, although she sadly died there of the plague on 12 September 1369, age 24.  John was a very wealthy and powerful figure and was loyal to his nephew Richard II. This secured many favours including permission to finally marry his beloved mistress Katherine Swinford, just three years before his death and giving legitimacy to their four children. Katherine’s tomb is in Lincoln Cathedral.

John and Blanche’s son Henry  – later King Henry IV – was born at Bolingbroke Castle in 1366. Unfortunately, unlike his father, he did not enjoy the trust of the King. Exiled by Richard II in 1397 for quarrelling with the Duke of Norfolk,  his estates were seized by the King on John of Gaunt’s death. The enraged Henry plotted his revenge, which he achieved in 1399 when he returned to England and took Richard prisoner. The King was deposed and horribly killed in 1400, clearing the way for Henry of Bolingbroke to be crowned King Henry IV. He became the first King linked to the House of Lancaster and reigned through skill and brute force, surviving various attempts on his life.

The King’s Tower as it may have looked in the fifteenth century.

Image of the king’s tower as it may have looked in the fifteenth century.

 

Henry IV never visited the castle again before he died in 1413, but it continued to be used as an administrative centre for the Lancastrian dynasty, although it played no part in the Wars of the Roses in the mid to late C15th.

Bolingbroke gradually became a backwater and by Tudor times the auditors only visited the castle once a year to review the accounts. It simply wasn’t the place to be seen living in any more – with new mansions all the rage – so the castle became very dilapidated. By 1600 four of the towers were uninhabitable, the main domestic buildings had gone and only the gatehouse and the King’s Tower (rebuilt in a fashionable octagonal shape between 1444 and 1456) were still in use. A late-era Henry VIII Groat was found within a cobbled roadway leading up to the gatehouse, showing that some repairs were however still being made. Nonetheless, in 1636 a survey found that all of the towers were effectively beyond repair.

But history had not finished with Bolingbroke Castle. Although no longer a desirable home, as well as militarily obsolete due to the power and range of modern artillery, it was still a relatively strong place when the civil war broke out in 1642 and this was to lead to its only real moment of glory. The next summer, a great Royalist army under the Marquis of Newcastle bore down from the north, throwing garrisons into the towns and castles that were captured. 200 men were placed into Bolingbroke Castle in September of that year, securing the surrounding countryside for the King. However, Newcastle’s advance eventually faltered and he retreated back the way he had come, leaving the garrison at Old Bolingbroke, supported by the stronghold at Newark, to resist the inevitable Parliamentarian counter attack from Boston. The garrison strengthened the castle and may well have built an earth fort in the rout yard at this time, making an all out assault costly for an enemy. A siege began on 9 October, bringing about the Battle of Winceby on the 11th, when the relief force from Newark was destroyed in a half-hour battle by Parliamentarians commanded by Oliver Cromwell and Sir Thomas Fairfax. Despite this disaster, the castle held out until 14 November, when it surrendered.

Map of Bolingbroke by Jared Hill, c1708

Map of bolingbroke by jared hill, c1708

 

Although final victory was achieved over the Royalists by the Parliamentarian forces in 1651, there were widespread fears of uprisings and the use of castles by rebels or malcontents. It was therefore decided to render many such places militarily indefensible by blowing up or knocking down the defenses. Accordingly, in 1652 Bolingbroke Castle was “slighted”, with a section of curtain wall and much of the upper walls removed and thrown into the moat. Henceforth, the place could have no military value. Some of the stone was “liberated” by the townsfolk and surviving cottages in “The Row” are built from it.

After the civil war, Bolingbroke lapsed back into obscurity. By the C18th the castle wasn’t noteworthy at all, although included on Jared Hill’s map of 1719 (right). Thomas Quincy wrote in 1772 that “near this place (Keal) is Bullingbroke, an inconsiderable town, in which there is nothing to be seen but a pottery for coarse earthenware”. Indeed, the one enduring activity in the town was pottery, an industry that began in the C15th and did not decline until the early C19th. Even today, fragments of Bolingbroke Ware often surface during gardening in the village.

New Bolingbroke was built a few miles to the south in the early C19th, so to avoid any confusion the original village was renamed Old Bolingbroke. Although the rights to the market were transferred to New Bolingbroke in 1821, the village still had a thriving community including many local businesses – a butcher, baker, grocer, blacksmith, wheelwright, millers (both water and wind), tailor, builder, cobbler, coal merchant, carrier, plumber and painter, along with the post office, ropery and two pubs. In fact, the population increased to 947 in 1871 before declining during the C20th, hastened by the coming of the railway to nearby Spilsby. By 1992 the number of residents had fallen to just 249 and is probably not much more than 200 now. A limited amount of new building may at last reverse this trend, although with the exception of the Post Office and Black Horse pub, all the shops have long gone. In World War Two, RAF bomber crews from nearby bases including East Kirkby often drank at the village pubs, and a large corrugated tin building (which still exists) was used as a cinema.

By the C19th, much of the castle had disappeared under the turf. The highest remaining portion of stonework – from the gatehouse – fell down in May 1815. The Duchy of Lancaster placed the site into the guardianship of the Ministry of works in 1949 and they undertook a major project to uncover the remains in the 1960s. The Ministry of Work’s successor English Heritage handed the castle over to the Heritage Trust of Lincolnshire in 1995, and it remains open to visitors throughout the year. With parts of the curtain wall standing as high as 18 foot and the moat still wide if silted up on one side, Bolingbroke Castle is still an impressive monument to the medieval age.

Howard Giles

…It cannot therefore surprise us that with all these advantages the regent Duke of Bedford had almost completed the capture of the fortresses north of the Loire when he invested Orleans in 1428.

If this city had fallen, the Central Provinces, which were less furnished with defensible places, would have lain open to the enemy; and it is said that Charles VII in despair was about to retire into the Dauphiné.

At this time his affairs were restored by one of the most marvellous revolutions in history. A country girl overthrew the power of England.

We cannot pretend to explain the surprising story of the Maid of Orleans; for however easy it may be to suppose that a heated and enthusiastic imagination produced her own visions, it is a much greater problem to account for the credit they obtained, and for the success that attended her.

Nor will this be supported by the hypothesis of a concerted stratagem, which, if we do not judge altogether from events, must appear liable to so many chances of failure, that it could not have suggested itself to any rational person.

However, it is certain that the appearance of Joan of Arc turned the tide of war, which from that moment flowed without interruption in Charles’ favour.

A superstitious awe enfeebled the sinews of the English. They hung back in their own country, or deserted from the army through fear of the incantations by which alone they conceived so extraordinary a person to succeed.

As men always make sure of Providence for an ally, whatever untoward fortune appeared to result from the preternatural causes was at once ascribed to infernal enemies; and such bigotry may be pleaded as an excuse, though a miserable one, for the detestable murder of this heroine.

Bolingbroke

I have a small connection with a very important part of Jehanne d’Arc’s life.

I live about 5 miles away from the ruins of Bolingbroke Castle.

 

Bolingbroke
~
What link can a relatively unknown ruined castle in the middle of Lincolnshire, England have with La Pucelle?
~
16th century painting of Henry of Bolingbroke

16th century painting of Henry of Bolingbroke

  ~

It was the birth place of Henry IV of England – Henry Bolingbroke – the father of Henry V who caused France so much heartache.
~
Charles d'Orléans
Charles d’Orléans

 ~

It was also the prison of Charles d’Orléans from the death of Henry V in 1422 until December 1429.
~
So during those crucial weeks and months before, during and after the seige of Orléans, Jehanne’s Duke was in solitary confinement in a castle just a few short miles away from where I live.
~
I will be exploring this little known and highly significant fact in depth during the next few weeks.

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